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How Cops Extort Confessions;
How the U.S. “Justice System” Really WorksNinety-two per cent of felony convictions in the U.S. are obtained by plea bargains or confessions. Without them the “justice system” would grind to a halt. In an important piece in our latest newsletter, available only to subscribers, Emily Horowitz shows how totally innocent people will “confess” under police pressure, even without physical torture. Horowitz outlines the powerful case for banning confessions altogether. Also in this new edition Marcus Rediker, co-author of the legendary The Many Headed Hydra, writes of popular heroism and resistance in the favelas of Medellin, Colombia. Alexander Cockburn reports on how America’s oldest bank, patronized by the global elites, washed billions smuggled out of Russia, and how the Russians might win their money back, shaking the world’s banking system if they do so. Serge Halimi describes the real battle for the soul of Europe. Get your copy today by subscribing online or calling 1-800-840-3683 Contributions to CounterPunch are tax-deductible. Click here to make a donation. If you find our site useful please: Subscribe Now! CounterPunch books and gear make great presents.
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Today's Stories August 18, 2008 Tariq Ali August 16 / 17, 2008 Alexander Cockburn Jeffrey St. Clair Deepak Tripathi Conn Hallinan Mike Whitney Robert Fantina Ray McGovern Nicole Colson Fatima Bhutto Jean-Luis Rocca David Michael Green Ramzi Kysia Dave Lindorff Lisa Martinovic Richard Rhames Don Santina Rannie Amiri Ramzy Baroud John Stanton Howard Lisnoff Ron Jacobs Seth Sandronsky Poets' Basement Website of the Weekend
August 15, 2008 Steve Niva David Remington Michael Winship Paul Craig Roberts Farzana Versey Harvey Wasserman Felice Pace Julian Critchley Website of the Day August 14, 2008 Saul Landau / Conn Hallinan Mike Whitney Reza Fiyouzat Ralph Nader Christopher Brauchli The Cheerleader in China Jack Bradigan Spula Patrick Irelan John Walsh Dan Bacher Website of the Day
August 13, 2008 Paul Craig Roberts David Remington Brian Cloughley Glen Ford Brendan Cooney Dave Lindorff Tom Lewis Stan Cox Alan Farago Martha Rosenberg Website of the Day August 12, 2008 Uri Avnery Anthony DiMaggio Bill Christison Eric Walberg Kate Connolly Diane Farsetta Peter Morici Thom Rutledge Lee Patton Niranjan Ramakrishnan Website of the Day August 11, 2008 Ishmael Reed Paul Craig Roberts Gary Leupp Douglas Kammen William Willers Greg Moses Jeff Leys Cynthia McKinney Alan Farago Website of the Day August 9 / 10, 2008 Alexander Cockburn Jeffrey St. Clair Bruce Jackson Kevin Young Chris Floyd Joshua Frank Robert Fantina Brendan Cooney Mark Almond Lois Gibbs Rev. William Alberts Kathy Kelly John Ross David Michael Green Bill Moyers / Ron Jacobs Richard Rhames David Yearsley Lee Sustar Brenda Norrell Ben Terrall Poets' Basement Website of the Weekend August 8, 2008 Patrick Cockburn Manuel Garcia, Jr. M. Shahid Alam Andy Worthington Lawrence J. Korb David Model Alan Farago Diop Olugbala Firmin DeBrabander Website of the Day August 7, 2008 Dr. Trudy Bond William Blum Paul Craig Roberts Ralph Nader Robert Weitzel Jacob G. Hornberger Binoy Kampmark David Macaray Howard Lisnoff Website of the Day August 6, 2008 Marc Herold Greg Moses Sheldon Rampton Kevin Young Michael Estrada Robert Weissman Dr. Susan Block Cindy Sheehan Ace Hoffman Website of the Day August 5, 2008 Paul Craig Roberts Jeff Halper Patrick Cockburn Nancy Welch Peter Morici Sousan Hammad Eamon Martin Shepherd Bliss Tim Matson Website of the Day August 4, 2008 Uri Avnery Saul Landau David W. Remington Rev. Jesse Jackson Dave Lindorff Peter Morici Joanne Mariner Ramzy Baroud Christian Wright Website of the Day August 2 / 3, 2008 Alexander Cockburn Jeffrey St. Clair Patrick Cockburn Winslow T. Wheeler James Abourezk Andy Worthington Brian Cloughley Robert Fantina Benjamin Dangl Marlene Martin David Yearsley Fatemeh Keshavarz David Michael Green Obama as Dukakis Harvey Wasserman Jason Hribal Phyllis Pollack Laray Polk Ron Jacobs David Macaray David Rosen Dan Bacher Joe Allen Poets' Basement Website of the Weekend August 1, 2008 Jonathan Cook Nikolas Kozloff Rannie Amiri Peter Morici Christopher Brauchli M. K. Bhadrakumar Patrick Cockburn James J. Brittain Dan Bacher Website of the Day
July 31, 2008 Michael Hudson Carl Finamore Mike Whitney Joshua Frank Andy Worthington Ralph Nader Bill Moyers / Robert Weissman Dave Lindorff Website of the Day July 30, 2008 Brian M. Downing Chuck Spinney William S. Lind David Ker Thomson Karl Grossman Mike Whitney Martha Rosenberg James Murren Dave Lindorff Ron Jacobs Website of the Day July 29, 2008 Jeffrey St. Clair John Ross Peter Morici Alison Weir Gary Leupp David Macaray Brenda Norrell Marjorie Cohn Eric Ruder Website of the Day July 28, 2008 Dr. Bryant Welch Kathy Kelly Mike Whitney Peter Morici Christopher Brauchli Clifton Ross Stephen Lendman Website of the Day
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August 18, 2008 The Reappointment of Nicholas SerotaBetrayal of Trustees at the TateBy CHARLES THOMSON The trustees of the Tate gallery have just announced the reappointment of Sir Nicholas Serota as director. In their enthusiasm they failed to mention this to the prime minister, whose approval is required under the Museums and Galleries Act. It is symptomatic of a culture at the museum which lacks proper accountability and which the Department of Culture, Media and Sport declares it administers “at arm’s length”. It is also symptomatic of the power that Serota wields over the trustee board. He does not appoint trustees, but attends interviews “in an advisory capacity”. This is astonishing, as the trustee board is his employer. The appointment of those sympathetic to his views – or those who have a good reason not to oppose his views – becomes ever easier to achieve, as the interview panel for new trustees are current trustees, whose appointment he has in the past “advised” on: he has had twenty years to get the advice right. Serota’s ability to achieve his aims is apparent in the trustee minutes recording the purchase of Tate trustee Chris Ofili’s work The Upper Room (over which the Tate was eventually censured for breaking the law by the Charity Commission). The purchase came about because “The Trustees accepted Sir Nicholas Serota’s argument” that it should do. The only serious doubt, over a possible drop in value of the work, was made by Jon Snow (a journalist by trade), seconded in an exchange arrangement from the National Gallery board, but “Nicholas Serota assured him this was not the case” and this pronouncement was the end of the matter. Three of the twelve trustees are artists. At one time these were senior figures, whose reputations were secure and who had nothing to lose by speaking their mind, as opposed to artists in mid-career, who have a lot to gain from the Tate director’s approbation and a lot to lose from his disfavour. After ten years in office, Serota made this comment regarding the sculptor, Antony Caro: “Tony was well over 60 when he became a trustee. He was a very effective trustee, actually. He cared passionately about certain things and was a powerful force...but it just seems to work better when you have artists who are a new generation, or indeed erring on the younger side, really." All artist trustees during Serota’s tenure have had works acquired by the gallery, in one case fifty works. Thomas Hoving, former director at the Metropolitan Museum of Art, had this to say on the Tate’s acquisition of Ofili’s work: "To think they thought there's not even a perception of a conflict … For goodness' sake, it's so obvious.” The Tate was equally blind to an obvious conflict of interest with the appointment to trusteeship of Melanie Clore, whose four year term finished recently. She is Board Director and Deputy Chairman, Sotheby's Europe, and its Co-Chairman, Impressionist & Modern Art, Worldwide. In a two year period she “left the room” three times at trustee meetings over conflicts of interest. She was, however, present in the room on 15 November 2006, when Tate trustees were informed of a forthcoming major retrospective by artist (and former trustee) Peter Doig to take place the following February – an event bound to boost his prices. The day before the trustee meeting, a Doig painting with an upper estimate of £1.5 million had sold at Sotheby’s for only £445,000. Nine days after the trustee meeting, The New York Times reported that Sotheby’s had bought seven Doigs from Charles Saatchi for $11 million. Doig’s exhibition opened at the Tate on 5 February. On 7 February Sotheby’s auctioned one of its Doigs for £5,732,000. Clore has said that the Sotheby’s purchase was completed about seven weeks before Doig’s show was announced at the trustee meeting (although it is not clear whether or not she had knowledge of the show prior to the meeting) and that she didn’t speak to anyone at Sotheby’s about the show until it was public knowledge. Even the fact that she is in the position of having to make that denial at all shows the lack of discrimination and responsibility in trustee selection at the gallery. Altogether, trustees “left the room” on ten occasions during a two year period, the chairman, Paul Myners, on two of them. The Department of Culture, Media and Sport guidelines warn against even the appearance of conflict of interest. There is no evidence in the trustee minutes that the board is anything other than a rubber stamp for whatever proposals are put to it by the director. The realpolitik of the relationship between Serota and his nominal overseers was demonstrated during the recovery of two stolen Turner paintings in 2000 and 2002. The recovery of the Turners involved crucial decisions of ethics, legality and finance: £3.5 million was handed over to a somewhat murky destination to regain the works. The board of trustees take legal responsibility for the operations of the gallery, yet incredibly only two of the dozen trustees were informed of the details of the rescue operation (one of them not being Paul Myners, now the chairman), along with another then-Tate employee, Sandy Nairne, and a representative of an insurance syndicate. The strength and independence of the trustee board has been eroded. It does not represent a balance of views and it does not represent the wider public, as it should. Far from fulfilling the legal requirement that “the director shall be responsible to the Board for the general exercise of the Board’s function”, the board has become the stooge of the director. There needs to be a government review and protocols established so that genuinely independent voices take trustee office. Regarding the current self-perpetuating coterie at the Tate, the obvious solution is an entirely new board to be chosen by an independent body, and the last person who should have a say in this is the Tate director. Serota petition: http://petitions.pm.gov.uk/tatedirector Charles Thomson is co-founder of the Stuckists art group
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